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White Tab 212 — Christopher Pizzolo — Witness Profile

GUARDRAIL: WHITE — FACT REPOSITORY ONLY

Facts & source pinpoints only. No strategy, no argument, no legal opinions. All quotations are "as reported" unless exact text appears in a cited source.

Overview

Christopher Pizzolo is the named Universal Music Group (UMG) outreach contact associated with the September 2025 studio-availability inquiry referenced in EX‑UMG‑25. This profile is intended to (1) lock down identity/role, (2) define a clean testimony scope, and (3) route the supporting exhibits for deposition, declaration, or trial testimony planning.

Role and Professional Identifier

  • Name: Christopher Pizzolo
  • UMG affiliation (public profile): Public-facing professional profiles describe him as "UMG Studio Director" and "Studio Guy @UniversalMusicGroup" (capture/archival exhibit pending).
  • Relevance: Directly connects current institutional interest (Sept 2025) to the Freeman Street facility's availability and operational readiness.

Case-Relevant Event Anchor

  • Event: Sept 2025 UMG outreach (Pizzolo) regarding studio availability
  • Routing exhibit: EX‑UMG‑25 (emails / call notes / calendar entries memorializing the outreach)
  • Core probative point: Confirms ongoing institutional demand after prior validations and after flood-related constraints, supporting "continuity" and currentness of the opportunity signal.

Testimony Scope

Core Questions

  1. Identity and capacity
  2. What is your role at/with UMG, and what does "Studio Director" encompass operationally?

  3. What studio(s), departments, or booking pathways do you interface with?

  4. September 2025 outreach

  5. Did you reach out (directly or indirectly) regarding Freeman Street studio availability?
  6. What prompted the inquiry (project needs, scheduling, facilities requirements)?

  7. What information did you request and what information was provided?

  8. Operational criteria

  9. What technical, scheduling, and readiness criteria were relevant to your inquiry?
  10. What is the typical workflow for confirming availability and clearing a studio for label use?

Guardrails

  • Stay within what is supported by communications and personal knowledge.
  • Avoid speculation about dollar amounts, contract certainty, or internal UMG corporate approvals beyond what is documented.

Exhibit and Discovery Checklist

  • EX‑UMG‑25 (primary): emails, call notes, and calendar entries that establish the Sept 2025 outreach and its context.
  • Profile archive (to capture): archive screenshot(s) of Pizzolo public professional identifier showing UMG affiliation and role descriptor (LinkedIn/Instagram) with capture date and source.
  • Follow‑up communications (if any): subsequent scheduling discussions, technical requirement requests, or booking pipeline messages.

Cross-References for Routing

  • Red Tab 000 — Executive overview (commercial validation anchor)
  • Red Tab 101 — Major label project lane (UMG outreach + witness validator list)
  • Red Tab 101.1 — Studio booking practices (fact witness list)
  • Red Tab 101.2 — Two-ecosystem framing (UMG track currentness)
  • Red Tab 101.3 — Corporate assessment (witness routing + institutional signal)
  • Red Tab 202 — Witness implementation guide (section 3.5A; affidavit routing)

END — White Tab 212 — Christopher Pizzolo — Witness Profile v1.0